Production Title
Playwright
Sophie Treadwell
Cast
Helen/Young Woman: Christine Broughton
Man/Lover: Debo Balogun
Husband (George H. Jones): Keenan Odenkirk
Mother/Prosecuting Lawyer: Emily Mason
Stenographer/Nurse/Matron: Emily Johnson
Adding Clerk: Andrew Gilson
Filing Clerk/Boy: Thomas Hand
Telephone Girl: Sarah Baker
Man in Bar: Joshua Pride
Woman in Bar: Jenna Stitt
The Overseer: Caleb Ivey
Production Staff
Director: Dr. Jennifer Popple
Technical Director and Lighting Designer: Andy Gutshall
Scenic Designer: Susan Holgerrson
Costume Designer: Ellen Dixon
Stage Manager: Lauren Davis
Dramaturg: Audrey Johnsen
Assistant Director: Keila Saucedo
Scenic Artist: Mari Noga
Props Master: Emma Brutman
Assistant Stage Manager: Joseph Oliger
Sound Engineer: Caleb Ivey
Movement Coach: Lindsey Graham
Makeup Designer: Allyson Jesse
Light Board Operator: Samuel Langellier
Sound Board Operator: Joe Oliger
Welder: Joe Goodall
House Manager: Megan Hammerer
Shift/Props Crew: Shannon Ryan
Costume/Makeup Crew: Amanda Jandernoa, Yulisa Manzo
Poster Design: Quan Vi
Set Construction: Cam Best, Emma Brutman, Amanda Caputi, Morgan Clark, Corbin Delgado, Monica Gil, Carissa Gilliland, Lauren Heiberger, Lauren Imhoff, Ryan Janusz, Jacob Kilburg, Samuel Langellier, Justin MacNaught, Keenan Odenkirk, Joe Oliger, Rose Mary Peterson
Costume Construction: Rowan Crow, Emilee Droegmiller, Allyson Jesse, Amanda Kramer, Margaret Stadtwald
Files
Synopsis
The play's title means "automatic" or "mechanical" in French and is based loosely on the murder trial of Ruth Snyder and her lover, Judd Gray, who together murdered Snyder's husband. Convicted of murdering her husband, Snyder later received the electric chair. A woman's role during this era in history is confined and regimented to wife, mother, housekeeper, and sexual partner. Love is considered unnecessary, and thus many women are trapped in their dependent status, living a hellish life in a loveless marriage. The relationship between Helen Jones and her husband, George H. Jones, is no different. However, when a man intercedes and Helen is given a momentary glimpse of passion, her life is forever changed. She sees how society confines her, how her husband unconsciously dominates her every decision, and she feels that there is no escape. With a feeling of hopelessness, Helen commits an egregious crime, murdering her husband to free herself from the constraints of society and, ironically, to save her husband from the pain of a divorce. This heavy play is a powerful expressionistic drama about women's forced financial dependency upon men during the 1920s and their trapped existence in a male-dominated, oppressive wasteland.
Performance Dates
October 16, 17, 18, 23, 24, 25, 2015
Venue
Potter Theatre
Disciplines
Acting | Other Theatre and Performance Studies | Performance Studies | Theatre and Performance Studies
Augustana Digital Commons Citation
"Machinal" (2015). 2010-2019: All Shows.
https://digitalcommons.augustana.edu/allshows2010s/2
Included in
Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons