Submissions from 2019
La Favola d’Orfeo and the Role of the Operatic Orchestra, Sarah Anderson, Grant Estes, and Peyton Hansen
Musical Drama in Monteverdi's L'Orfeo: How Aria, Recitative, and Ritornello Shape Drama, Zoe Haenisch, Elliott Peterson, Luke McMillan, and Sam Wagner
Symbolism in the Allegory: A Look at Apollo’s Lyre, Keri Meinert, Emily Keiner, and Anne Bak
The Gonzagas: Artistic Patronage in the Mantua Region During the Italian Renaissance, Ariane Omerza, Curtis Marek, and Zachary Myatt
The Patronage of Isabella d’Este: An Examination of Isabella d’Este’s Motivations as a Patroness in Renaissance Italy, Joel Padgett, Madi Parks, and Gabe Zeigler